Reviews and comment from the Demon Crew - creative writers at De Montfort University, Leicester.

Showing posts with label Kimberley Brett. Show all posts
Showing posts with label Kimberley Brett. Show all posts

Tuesday, 5 March 2013

"I challenge you to do worse"


I expected Alan Garner, as a fantasy writer to be as strange as other fantasy writers I know of (Alan Moore springs to mind). However he was surprisingly normal and down to earth, but quick to say he believes that being a writer is a pathological state. He also warned us that his talk would not be a guide on how to write. He stresses this sentiment again later, insisting that you cannot tell how someone how to write.

Garner elucidates the importance of learning from your own work, stating that the writer is a 'subordinate to his own work,' and that stringing two sentences together does not make you a writer any more than knocking two bits of wood together makes you a carpenter. And I can see what he means: that you have to dedicate yourself to writing well and sweat over it as any craftsman would. He goes on to insist that rewriting and redrafting your work is the best way to make progress with your writing.

Garner demonstrates this tried and tested method of perseverance by sharing with us the opening to his first book, The Weirdstone of Brisingamen, as it appeared in his original draft. He follows the first pages in which Colin and Susan appeared with the comment,  'I challenge you to do worse.' The audience responds with delighted laughter.  Later he tells us how bored he became with Colin and Susan in The Moon of Gomrath..  This led to the point in one draft where he was so fed up with Colin and Susan that he allowed an ending in which one of the villains attacked Colin and  "wrung the little bugger's neck."Somehow Garner managed to return to the novel (intended for children aged 8 and up) and give the characters a less devastating ending.  He them left Colin and Susan for decades, returning to them only in his latest, adult novel, Boneland.

The talk with Garner was concise, encouraging and has given me a lot to think about. Garner states that he has no patience for writer's block, branding it as merely a writer's impatience. He compares writing to the dripping of a tap; sometimes you only get a few drops sometimes you get a rush of water. Garner's advice for when you feel you have writers block was simply to 'have a bath!' 
 

Kimberley Brett

Thursday, 28 February 2013

Badger and bathhouse

A good first event to see at Cultural exchange week! The Creative Writing Postgrads started with an eccentric performance from James G. Laws, I wish I could go into specifics but unfortunately the works were untitled. Still the delivery was lively and energetic, the performer wandering around the room while he spoke, declaring his work 'nonsense.' While the rest of the readings were more reserved, they were just as effective.

The next performance was in sharp contrast from the first and the most chilling: a short story of a fedora-clad man who jumps in front of a train and reflections on his death. Hannah Stevens' description of the man's cup of hot chocolate still warm after his death stayed with me for the rest of the day. 

Train Station Platform, Old Delhi, India 1983
Steve McCurry,Old Delhi, 1983
Richard Byrt and Graham Norman read a poem in two voices about prison bathhouses, an unusual topic: "Only half a bar of soap between one bathhouse..." seemed strange to start off with but became more humorous towards the climax of the poem as the voice (possibly a prison guard or warden) insists that the writing of poetry about the bathhouses is strictly prohibited.
 
Graham Norman's extended poem 'Badger' was about a (presumably) homeless/wandering man, who recalls snippets of his life up to the time of death. 'Badger' was cold in its motif and atmosphere; the image used of 'cold tongues' springs to mind in reference to the gypsies that Badger encountered. The language was brutal while at the same time effective with its simplicity. 
 
Some of the audience found the poem too long but in my opinion that was part of its success. While this performance did lack the energy of the first recital, it needed to be quiet and concrete.

In all, I enjoyed the Postgraduate writing a lot more than I had anticipated, and I'm looking forward to hearing Andrew Davies and Alan Garner tomorrow!


Kimberley Brett