Sci-Fi - a week of reflection

It's been more than a week since, I along with many other members of the university and general public, listened to Professor Stuart Price's lecture at Cultural Exchanges. Unlike many of the attendees there I didn't know a lot about what I was about to listen to, but the title of the lecture (Violence, Knowledge, Repetition) interested me enough to book a seat.

I decided to hold off on reviewing this event in order to see how much of it really sunk in after time had passed and I am pleased to report that I still have fond thoughts of the lecture. What's more, the knowledge I gained has indeed sunk in. 

One thing in particular that sticks in my mind is, as the title suggests, how important and commonly used repetition is within cinema. I have never thought about how similar some scenes are in different movies. Indeed, Price showed us two different movies using the same shots, angles and references to each other. He talked to us about why this is what we recognise within cinematography. I certainly learned a lot about something I knew very little about before.

At the end of the lecture, the professor asked us out of interest if the people listening were Film students and when he found out that some were not, he smiled, almost surprised. I smiled too, at the surprise that was the delight of this lecture. Until next year, Professor..

"Amazing Stories March 1929" by Published by Experimenter Publishing Co. - Scanned cover of pulp magazine. Licensed under Public Domain via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Amazing_Stories_March_1929.jpg#mediaviewer/File:Amazing_Stories_March_1929.jpg

Lewis Bagshaw

Dystopia now

"Mockingjay filming district two Tempelhof airport Berlin 02" by Lienhard Schulz - Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Mockingjay_filming_district_two_Tempelhof_airport_Berlin_02.jpg#mediaviewer/File:Mockingjay_filming_district_two_Tempelhof_airport_Berlin_02.jpg

 

Professor Stuart Price's lecture on sci-fi alluded to a wide array of tropes that we see in most Hollywood Sci-Fi blockbusters, ranging from gender stereotypes to the protagonists’ common loss of identity.

Alongside these themes was an underlying message in the lecture that stood out to me. The point that Professor Price made is that cinema isn’t portraying a dystopian future in these action sci-fi movies. It’s actually a dramatization or a cinematic portrayal of modern day life itself.

Are we already in the beginning stages of what we call a dystopian future? Was film director Alfonso Cuarón right in saying that “The tyranny of the 21^st century is called democracy”?

Either way, I was fortunate to hear Professor Stuart Price discussing these important topics and sharing his insights.


Sam Ellison

Violence, knowledge, repetition

What can be better than spending an hour in a darkened room listening to a guy talk about Science-Fiction movies? Well, a lot, to be honest, but it’s still a pretty decent way to kill an hour of your time if you’re a total Sci-Fi nerd like I am.

Professor Stuart Price has A LOT to say about Science-Fiction cinema - particularly, as the title of the event suggests, about Violence, Knowledge and Repetition in Science-Fiction cinema. His observations on the narrative themes commonly found in Sci-Fi stories - repetition, where characters experience the same situation over and over again (evident in such films as Edge of Tomorrow and Source Code) and knowledge (evident in such films as Minority Report) - were both fascinating and unsettling. Why do Sci-Fi storytellers do this? What is the reason, the meaning, behind such repetition? Why is knowledge so important?

As both a student of Media Studies at A-Level, and of Film Studies here at DMU, I found I was able to understand quite a lot of Professor Price’s lecture. His mentioning of de Saussure’s Binary Opposition theory, Propp’s Character theories, and Todorov’s Equilibrium theory (concepts that propose the media follows a particular set of narrative restrictions) in fact made the lecture feel very reminiscent of my usual classes. And of course, I was familiar with all the films Price took examples from.

All in all, I found Professor Price’s talk both enlightening and enjoyable.


River Apparicio

The Demon Crew - into reality

There were at least eight of them in the room. They sat nervously biting their lips, watching us take off our coats and settle into our seats.

These are some of the final-year Creative Writing undergraduates. We’re here to see their poems, their stories and anecdotes. They’re here to show us their hard work, as they prepare to take their work as writers out into the real world.

Each piece of work was a delight to listen to. It was great to see each author and how happy they were with each piece of work. The event had an excitable charge to it, with the audience and speakers all eager to hear what would come next.

My favourite poem of the event was called ‘An Average Life’. It was witty, clever and totally unexpected.

I will definitely be going back next year.


Annabel Easton

'a social war against all'

The short film, The Condition of the Working Class, sets out to explore the differences between working-class Britain in 1844 as described by Friedrich Engels and working-class Britain of today.

I was shocked, yet not surprise,d at how static this country has remained. Britain is bound by tradition, scared of change and just as in 1844, in the midst of a 'social war against all'.

Like most present, I found the film funny, charming and, most importantly, honest, conveying the struggle of hard-working people in this country.
Once again the poor are getting poorer and the rich are getting richer. So, when will we stop living in the past, stand up and be counted? When will 1844 be a distant memory?


Charlotte Batey

The Seven Wonders of New Walk

It became clear within the first few minutes of the art collector's speech that the Seven Wonders consisted of Anthony D’Offay's most prized paintings. The passion in his voice didn’t waver as he guided us through each piece of art, detailing why it was iconic and why he had spent a portion of his life bringing these paintings to New Walk Museum.
Each painting had its own anecdote behind it. Anthony also took us through his childhood, explaining how his love of museums grew from when he was a child, where he would often travel to a new museum to see its works of art.

I was surprised to enjoy this event so much. Not only did I hear about the famous paintings, including one of Anthony's’ personal favourites ‘The Red Woman’, but I was pleased to hear wise words from a man who appreciates art, and just wants the world to see it too.

According to Anthony d'Offay, ‘An Art Dealer's job is to help and encourage artists, to bring their work to museums for the world to see’.


Annabel Easton

The after-effects of Carol Ann Duffy

I've been a fan of Carol Ann Duffy's work for a long time - and slaved for hours over A-Level coursework about her poems. So when I went to her poetry reading, I wondered what she would be like. Arrogant, perhaps? Dull? Maybe even shy?

But as Duffy began to speak, my preconceptions disappeared and everyone in the room was drawn to listen. We moved from hysterical laughter at her reading from The World's Wife to mournful silence in response to a poem about her late mother. I found myself wanting her to talk for longer; she has a way of drawing the listener in, leaving them eager to hear the next word.

As I returned home, I found myself thinking about ideas for my own poems. I don't even like writing poetry, but Duffy is the kind of poet who makes you want to pick up a pen and write. I don't see myself becoming poet laureate any time soon, but if I can entice and amaze people the way Duffy does, then surely it's worth a try.

Lily Hood 

Pop Up Play: a symposium

Fun, Clever, Inspirational, Innovative, Educational - and that’s just the concept. In reality, the final product is so much more.

Pop Up Play is a new piece of software that introduces a whole new easy-to-use immersive education experience whether it be mainstream education, special needs, ESL or in students' own homes.

Thanks to The Spark Arts for Children, De Montfort University and Dotlib Ltd., any child with access to a computer, projector and webcam can enter their favourite video scene. And with the use of Pop Up Play’s tracking capabilities via the use of a Window’s Kinect, that same child can also track any item/picture to their body including a full character suit. The child can choose to be a pirate, a fairy, or even a favourite toy. The only issue is keeping up with how fast the kids can think up new scenarios. Time for another arts and crafts lesson!

It was a pleasure to attend the software’s launch at DMU during the 2015 Culture Exchanges week. The symposium began with a rundown of the program's development through four separate case studies in Leicestershire schools around Leicestershire, and it had everyone’s undivided attention from the start. After a quick lunch, we were all whisked upstairs in DMU’s PACE building to see the program in action. There were a few children ready to help and they showed us adults how tablet control should be done - and what fun could be had.

Since Pop Up Play is open source software and free to download HERE. Your imagination is the only limit.

Daniel Jensen

Facing the backlash

Creative director, Kieran Smith joined us all to talk about the controversial documentary, Make Leicester British, which was screened last year.  Channel 4 in the past has produced similar documentaries such as Make Bradford British where they focused on the segregation between different communities and cultures in Bradford.

The production company responsible is Love Productions, which has also produced Benefits Street, Immigration Street and The Great British Bake off.

Kieran explained why Leicester was chosen, and its attraction is evident; it’s a city full of multiculturalism, community cohesion and integration. But what was interesting was that the documentary initially wanted to focus on Eastern Europeans coming into the UK,and this governed the company's choice of participants.

One member of the audience pointed out the show should have been named ‘Big Brother on Immigration.’ Those who attended the event felt Leicester was misrepresented and that the producers wanted to create problems that weren’t initially there.

It was brave of Kieran to attend given the backlash he received, but he answered calmly and held his hands up to the choices that were made for entertainment purposes.

According to Kieran, it’s safe to say that there are no future plans for Making Somewhere Else British.

Humairaa Patel

Make Leicester furious

The talk began with a prelude of apologies, and an acceptance that everyone in the room had a bone to pick with the Creative Director; Kieran Smith of Love Productions. Now, I hadn't known the great depth of feeling that the controversial documentary, Make Leicester British had sparked in its viewers, but by the end I was well aware. One woman even succumbed to tears in the Q&A. I think the way Kieran gracefully handled the less than warm welcome was admirable, especially when taking into consideration the event was free. 

We were given insight into the work behind the scenes of the documentary, how long it took to create, and in particular how people were chosen. The people who took part in the documentary were chosen as they seemed to have a capacity to change, and, as the reason for Make Leicester British was to "generate debate", "try to change peoples views and help them learn" - this was obviously important. As Kieran put it, he wanted to portray a "journey of understanding", and I think in many ways he and his team did that. 

Though many in attendance disputed almost everything about the documentary, by the end of the talk I could see that this upset had not been Love Production's, and in particular Kieran's intention. A certain amount of controversy comes with such delicate subjects as immigration, racism and the like. And while Channel 4 may have highlighted these aspects in the name of ratings, I believe it's necessary to have a debate on these topics and, if Make Leicester British sparked this, that's a good thing. 

 

Laylah Grewal

The Monochrome Spy

A mysterious man walked onto the stage in front of the screen at the Phoenix Cinema, and introduced his latest work. It was obvious that he was both nervous and excited as he thanked everyone for attending. Then the screen flickered. 

What followed was an all-action, satirical spy film set in 1964. This tongue-in-cheek nod to the famous television series' of the 1960's, had all the expected genre conventions: a narcissistic Bond-esque protagonist named Guy Boulton, a Soviet villain, a murder-mystery, a beautifully oblivious female called Elizabeth Landers; and the omniscient American organisation controlling the entire thing - named, rather aptly, Control. 

It ran for an impressive 1 hour 11 minutes, after which three men took to the stage for a discussion. They introduced themselves as Dick Fiddy, Tim Meadows, and Paul Gosling, the creator of the project. The discussion that followed revealed that Gosling aimed to make his movie emulate the black and white 35mm shows, such as The Saint and Dangerman. 

The Monochrome Spy had been an idea for 8 years, filmed entirely in Leicester with a budget of £1300 and all of the constraints that one would expect. And it was, at least in my opinion, a raging success. It was amusing without being insulting, engaging without being tedious; and the acting talent was far beyond any expectations I had when learning that it was an independent film.

The event ended with a quote from Fiddy regarding the secret of scriptwriting: "Bottom to chair, pen to paper!"

 

Hayleigh Lynch

A benefit to us all

I left the Arts in Prison event feeling quite moved. I feel the work Alistair Fruish and his team do is extremely under appreciated in society as many people I know believe prisoners should not be provided with 'luxuries' or help as they have committed a crime and therefore need to serve their time without support. I disagree with this. Working with prisoners as Alistair does is extremely important in helping them move forward and develop themselves as people, not just as criminals. And, as Alistair says, "It's not just prisoners that benefit from the art; the whole establishment does."

The talk was wonderfully informative and engaging and I came away wanting to know more about the creative work people do with prisoners. I learned that work with prisoners is not limited to just reading and writing, but instead it branches out to various other creative means including plays which are broadcast on prison television and radio stations.

I cannot stress enough the importance of people like Alistair Fruish. The work he does is viewed by many as pointless and worthless but it is quite the opposite. With the levels of illiteracy in prisons so very high, it is important that there are people like Alistair looking out and offering support to those who need it in prison.


Casey Whiting.

For Ducks' Sake

The day started as it usually does - with an almost IV drip of coffee. I had planned to go to three talks during the day, finish and unwind with 'The Image is the Servant II' which boasts a collective of talented musicians, artists, dancers and poets - and a bar, score. To say I was looking forward to this event is an understatement, but alas, I couldn't find it! 

I took a cab to where google maps assured me Hansom Hall was, where the cab driver assured me it would be - it wasn't there! After over an hour of searching I decided to call it a day as it was getting a little dark to be lost in Leicester. Still, I thought, let's do something blog-worthy. So I fed the ducks. 

And let me tell you, as much as I wish I had been able to find the event, (especially after hearing how amazing it was) no time spent feeding ducks is a waste of time. 

(photo by Wouter Engler)

Laylah Grewal

The Philip Mead experience

Going into his piano recital, I have to admit I had never heard Philip Mead and was anticipating something along the lines of Einaudi - classical and expected. Whatever I had anticipated, however, this wasn't it. 

Philip Mead's transcendent tones were almost other-worldly, listening and watching him perform felt a little like falling down a rabbit hole. Though, perhaps falling though the tunnel from the opening credits of Dr. Who would be a more apt description. The performance was further enhanced by the kaleidoscope of visual accompaniments after the brief intermission.  

Regardless of what I had been expecting, Philip Mead blew me away. I think I'm a little in love with anyone who has an extreme passion for something and shares that passion with others, which is exactly what Mead does. Watching him pour out his music in a slightly manic way was beautiful,  and I'm so glad the Cultural Exchanges programme allowed me to experience this. 

Laylah Grewal

"My gender is not an insult"

These were among the words spoken by third year drama students. Their verbatim performance put together interviews, reported speech and personal testimonies from those who have been affected by everyday sexism. 
 

Shocking stories were also told by Laura Bates, the founder of the Everyday Sexism Project. She shared her personal experiences during her time as an actress when she noticed how differently male and female actors were treated at auditions.

She experienced further sexism. Some examples were extreme. Men stared at her and referred to her as "that." Some also followed her home and one stranger thought it would be okay to grope her on the bus. Disturbing statistics and other people's real-life experiences showed her how common sexism is in the 21^st century. Laura Bates realised that she wasn’t the only one and "almost all had a story to tell."

 But the session wasn't entirely negative and upsetting. The discussion panel emphasised how we all need to stand up and raise awareness. It’s not about blaming men. We ALL need to unite, stand against sexism and challenge stereotypes.

As Laura Bates said, “Whenever it crosses your path, stand up to them because if someone did challenge that man on the bus, there could’ve been a different outcome”. 

 

Humairaa Patel

Eliminating Bars

Alistair Fruish's talk began with him discussing what made him choose to be a Writer-in-Residence; he chose to work in a prison more out of personal interest and curiosity than anything else. 

His talk was engaging, interesting and revealed what it is really like inside a prison. Alistair also emphasised that keeping the prisoners interested in something whilst inside can have an impact on their lives on the outside and make them less likely to re-offend.

It's a genuine shame that there are only around 10 people in the country doing what he does: making films, putting on plays and writing stories, making life inside more bearable and keeping connections with family members outside.

Fruish's job makes a real difference and I'm glad I had the pleasure of hearing him discuss it.

 

Alexandra Kilcran

Art in Prisons: a sobering experience

The talk I attended was not about writing, though it was given by a writer. It was about people. It was about those the system failed, those who are imprisoned for their actions and what led to this sad situation.

The levels of illiteracy in our prison system are frankly ludicrous, and this man Alistair Fruish is one of only a handful of men and women trying to make a difference.

I learned that the prison system has its own TV stations, newspapers, and that men like Mr. Fruish work with the prisoners to make films, radio plays, works of fiction, to help develop and rehabilitate them.

This is good work, and I pray that it continues.


Ciaran Lovejoy

The Dreamside of Enchantment: in memory of Graham Joyce

How do you review a tribute to someone? Especially someone who inspired you to write. Along with Tolkien, Pratchett, Morpurgo and Martin, Graham Joyce was that for me. The Limits of Enchantment remains one of my more re-read stories to this day; as far as I’m concerned one of Graham’s most underrated works. I think, to review this tribute, I simply have to talk about the things I learned from it. In other words, what insight did it give into his voice and method?

Susan Joyce, the late author’s wife, spoke wonderfully about Graham’s personality and attitudes towards writing. I thoroughly enjoyed listening to stories about the various characters Joyce invented, including fat-dad, who would appear if he stopped writing for any given period of time. Apparently Graham would have conversations in his head between characters he had invented, which is remarkable to me, because it’s something I do myself - now if only I could follow in his footsteps further and actually write things down.

"Writer’s block? Ever heard of coal miner’s block? It’s about the work, if you don’t work, nothing will ever get done." - Graham Joyce.

We also heard from some of Graham’s close friends and students, who discussed his work at length - far too great a length to quote from memory - as well as poetry he worked on, read by Bea, a student lucky enough to meet him. The quotation above is actually taken from the poem he wrote for Bea's open mic night - something else I learned during this hour of wonderment. We were even lucky enough to hear a recording of Joyce, reading from Some Kind of Fairytale, one of his more critically acclaimed works. Again, this provided inspiring insight into the thoughts of the author.

At its core, the whole experience was simply moving. There is nothing more special than listening to a writer, learning their thought processes, seeing how they write their characters. Sadly, the opportunity to hear from Joyce himself has passed me by. Failing that, I can think of no more a joy that to hear from people whose lives he was such a big part of. I wholeheartedly thank everyone involved in the organisation of this special tribute to a fantastic, creative talent.


Ben Harrison

Memoirs of a Master Novelist

 My friends would tell you I'm a difficult figure to move, but I felt myself touched by the words of the dear friends and relations of Graham Joyce. The hour spent at the tribute event was an hour well spent. 

His wife spoke of his early career, moving both to Greece and into the literary world. I heard about the inspiring impact he had on many, including a student to whom he sent a poem of advice. A journalist close to him summarised some key moments in his literary career.

We also heard a recording of Graham Joyce himself reading from Some Kind of Fairytale and the event concluded with  oddly poignant parting words from the man himself, as read by DMU's own Niki Valentine.

 It was a fittingly creative requiem for a writer who managed to affect so many.


Matthew Budge

Voice and video - a winning combination

After the Postgraduate Creative Writing Showcase was over, I was really glad that I'd been there. Listening to Emma Conway, Laurie Cusack and Pam Thompson was very pleasant, but for me it was Emma's work that stayed in my imagination. Her voice was beautiful and the use of video in the background was outstanding. I was simply hooked by this combination.

Alexandros Doschoris

A glimpse of the future

 Reading creative work is difficult so I have great respect for the three DMU postgraduates who took part in the showcase at Cultural Exchanges. 

 

Emma Conway's thoughtful readings evoked a fantastical SciFi world of 3-D printing where humanity is eventually overrun. Laurie Cusack gave an impassioned and flavoursome recitation of various scenes of distinctly Irish origin; the refrain of “Burn the Bastards” really stuck with me. Finally Pam Thompson gave us a glimpse of her ekphrastic poetry (including a gripping pantoum) which revolved around a holographic timepiece and a ship in a giant bottle.

This eclectic group of writers was a great reflection of the literary world. 


Matthew Budge

The full English

So what would you think were the 9 main ingredients for a full English breakfast? Apparently this causes much discussion and Seb Emina, author of The Breakfast Bible shared the 9 ingredients he thinks need to be there.

Image from Wikipedia

Bacon, eggs, toast, mushrooms, sausage, tomatoes, black/white pudding, baked beans and potatoes.

Seb shared some amazing facts about his many breakfast adventures and also talked about his publishing journey during this tummy-rumbling talk. So much so I had to stop on the way out to grab some lunch.

Although he didn't touch very much on his transition from blogger to published author, the interview was very informative and inspiring. So much so I brought the book.


Kizzy Bass

Meeting my hero

 There is an old saying: 'You should never meet your heroes because they always disappoint.'  But I wasn't disappointed in the least when I got to meet Carol Ann Duffy.

 

You see, I personally regard Duffy as the Holy Grail of modern day poetry. I loved reading her poems at GCSE and wanted to ask her whether or not it was a blessing or a curse to have your poems being taught at GCSE.

 

So after her reading, I went further into my overdraft and joined the queue of people who wanted their books signed. 

 

Soon it was my turn. Armed with The World's Wife, one of her very witty collections, I headed to the desk. As she signed my book, I gushed over how much I love her work. Then I asked my question, and this was her response 'I really enjoyed reading Ted Hughes at GCSE and those poems inspired me to be a poet.'

 

So I suppose the answer is that in Duffy's case, it's a blessing. Those poems she read inspired her just as her work has inspired me.

So thank you, Carol Ann Duffy for being just as brilliant in the flesh as you are on paper.




Me with the Holy Grail of Modern Day Poetry.

Kelly Davies

Crazy for Carol Ann

The lecture theatre was vast but I couldn't see a single free seat. Carol Ann Duffy had drawn an impressive crowd to the 2015 Cultural Exchanges festival. As a Duffy ‘newbie’, I was uncertain when advised to go and see her, but already my enthusiasm grew in the expectant atmosphere.

After a respectful introduction, Duffy took main stage. With snippets of humour, she held the audience in awed silence as she began with ‘Mrs Midas’. Every reading was followed by thunderous applause.

Duffy also read from her collection of love poems, Rapture, and toyed with our emotions with poetry from The Bees. I especially enjoyed the pieces from The World’s Wife, which I found witty, imaginative and full of strong imagery.

The hour long performance flew by and finished with an applause that continued long after Duffy had left the room.

 

Rose Godfrey

Teacher of the Year

English teacher, Author of How To Teach Literacy and star of Channel 4’s Unteachables, Phil Beadle gave an inspirational talk about what teaching entails.

Beadle has written columns in The Guardian and several books, describing one as "a bunch of columns that nobody read collected in a book which nobody bought”, which made everyone giggle.

I could see straight away why this man was Teacher of the Year; the books he’s written and his funny personality would make any child instantly like him.

He’s just an ordinary man (with a strong Cockney accent) who has a passion to make his class succeed despite their abilities.

He emphasised three things throughout the talk:

• Always give your students genuine praise

• Have high expectations of them all, creating a self-fulfilling prophecy, and

• Never let their behaviour affect your attitude towards them

His audience was filled with new and experienced teachers as well as students like myself who are interested in this profession. It was a great event to go to, with lots of laughter, a good discussion and great advice about teaching.

It was an ideal talk for anyone who wanted to work with children or in the education sector. 

Humairaa Patel

Inspired to write

Three cheers for the postgraduates who displayed their fantastic work today in the Postgraduate Showcase!

After five minutes of listening to the poetry and short fiction Emma Conway, Laurie Cusack and Pam Thompson had to offer, I was hooked. Exploring a range of ideas and demonstrating their passion for writing, the postgraduates definitely showcased their individual talents.

It was a pleasure to listen to their work and has inspired me further to pursue my ambition for writing.

Praise for the Creative Writing course at DMU and for the postgraduates who made the showcase a must see event. I hope they make an appearance again next year, and I’ll definitely be looking out for their work in the future.

Lauren Ingham

Postgraduate showcase

Three postgraduates, all studying for Creative Writing Ph.D.s at De Montfort University, presented their work in a single and varied showcase.

Emma Conway read from her poetry with a video backdrop and her use of her voice was very strong. But while I could see that some audience members appreciated the mix of video and voice, I sometimes found it hard to take everything in; my brain was sometimes trying to decipher three moving images while listening to the poems. For me a greater emphasis on the words is more important. 

Laurie Cusack's two flash fictions had a focus on Ireland and the Irish people. I happen to be half-Irish and I particularly enjoyed these stories, especially the second with its football theme as I come from a football crazed family. Laurie brought his work to life through tone and expression.

Pam Thompson gave a long introduction to her poems. Personally I would have liked more poetry and less explanation because it was the poems that I really liked.
 
Overall, this was an enjoyable experience with friendly people and I would definitely like to attend another reading by DMU's Creative Writing postgraduates

M.S. Gray

Starring Adrian Mole

 

As playwrights Jake Brunger and Pippa Cleary talked about pitching the idea of an Adrian Mole musical, writing the script, finding the right cast and working with the kids, it was clear that both writers had a great deal of respect and admiration for everyone involved with the production.  

When asked about working with Sue Townsend, both Jake and Pippa’s reaction was one of fond memory and lasting impressions. They spoke about trying to capture Sue’s voice whilst writing the script, of keeping the original content and not diverging from the magic of the original books. I found it very amusing to learn that during several meetings, Sue would point out a particular line and announce “I don’t like this one, I don’t think it’s right”, only to be told “but, Sue, that’s one of yours!”

Though many famous people have stated that you should never work with children, those at Curve take a different view. Apparently the hardest working members of the cast are the also the youngest. With school classes, script rehearsals and set management all being juggled at the same time it was a pleasure to hear of how much fun the kids have been to work with.

 ‘The Secret Diary of Adrian Mole, Aged 13¾’, opens at The Curve theatre on Saturday 7^th March. I booked my ticket the moment the interview finished.

Daniel Jensen

The best meal of the day

I am someone who perhaps more often than I should, espouses the benefits of a good breakfast. So when I walked into the discussion with Seb Emina on his book, "The Breakfast Bible" I was looking forward to spirited and rousing talk about the most important meal of the day. I was not disappointed.

Along with some highly jovial quips about breakfast, a straw poll of what ought be included in a Full English and witty anecdotes about the Shoreditch cereal shop, there was a section on what music one should listen to whilst boiling an egg.

Based on what I heard today, including a great deal about the history of breakfast cereals, I intend to buy myself a copy and get to reading. I recommend that you do the same.

Ciaran Lovejoy

Looking for the next big thing

 The term "fan girl" wouldn't even begin to describe my love for The Apprentice. I watch it every year shouting at the TV when the wrong candidate is fired. This year was no exception.

Solomon Akhtar, one of the final five candidates came to DMU today and gave us an insight at what the future could hold from just a "small, random idea". During the The Apprentice process, he was known for his innovative thoughts and quirky approach - and both were in evidence today. He began with a series of humorous, confused confessions but quickly moved on to the main subject of his talk, sharing a few of his life experiences. He told us about his time at university and the ever growing digital printing business, InstaBear - and he spoke about his struggles and how he overcame difficulties. With honesty, passion and well-timed humour, he advised the audience to "react to trends" and always "look out for the next big thing".

Though that wasn't all. He shamelessly admitted to the start-up of "Willykini", an inspired trend from a reality TV show that gained him further business opportunities. He also assured the audience that no, he wasn't wearing one during his talk.

Solomon answered the quick firing questions well, and replied coolly and at most times calmly. The talk was well planned, had the audience laughing for most of the hour and to top it all, it inspired us. For that Solomon, it would be a unanimous vote for "you're hired". Thank you from all of us.

By Samira Ali

Solomon Akhtar, entrepreneur

Solomon Akhtar's talk began with some laughter as Solomon nearly walked into the door as he entered the room, then explained how he found it difficult to pronounce ‘De Montfort’. But the inspirational talk which followed was packed with useful advice about what he's learned in the business world - and what he's still learning. It's a world concerned with new ideas, risks, and a lot of hard work.

 

Many of Solomon's business plans and ideas began when he was 15 years old and sold sweets in the school bus, making a profit of £20 per week. This experience helped stimulate his dream of being an entrepreneur. He added that he still keeps notes on his phone because ‘you’ll never know when you’ll get an idea, so if you’ve got an idea go for it!’

As for his appearance on The Apprentice, he said ‘it is hugely rewarding’ and an ‘honour to be in the final five’.

After taking a massive selfie with everyone, a series of Q&A followed. He was asked about his future plans for ‘Willykini’ and ‘Instabear’ and the embarrassing moments he had on the show. Before ending the talk, he gave great advice to us all:

‘If you have an idea – make it happen, it can be viral. React to trends and take a risk. Look for the next best thing’. 

 

Humairaa Patel

Opinions that need to be heard

The Condition of the Working Class is about a group of northerners devising and performing a piece of theatre based both on their personal experiences and the book The Condition of the Working Class in England in 1844 by Friederich Engels. It's a very well put together film that educates the audience about life now and in the mid-nineteenth century. This film provokes questions about the way people are being treated now why there is still such a large class divide.

I'm not clear on the aim of this film or how it might change the world; however if it is to tell the majority what is being hidden by the media, I definitely feel more informed.

Of course looking into the working class Britain from the 1980s onwards you can't help but walk straight into Margret Thatcher. The film fully addressed that and even went as far as going out onto the streets of Manchester to ask the public exactly what they thought of her, and of working-class life in general. However we were told later during the Q&A that quite a few people were afraid to talk to the camera for fear of losing their jobs. This leads me to asking those in power in Britain, why should anybody be afraid to have an opinion and to state it?


Abbiee Henesy

Hearing the dissenters

I staggered into Clephan 3.03 yesterday with some piece by Bach stuck in my head, not knowing what to expect. My first foray into De Montfort's 2015 Cultural Exchanges Festival was a talk by Dr. Michael Paraskos, entitled: "Mise en Abyme: Anarchism, Art & Theology". The talk began with him discussing the nature of art. What can be called art? What purpose does art serve? Interesting, nuanced questions that invite discussion. He then delved deeper into the philosophy and history of art, linking it to thoughts on Marxism & Anarchism.

When he was done he opened the floor to questions from the audience, and I, puzzled by some of his comments, asked him a question about Cultural Marxism. His response was solemn and full of hope. He spoke of being pleased, and surprised to be here. He spoke of being allowed to share his thoughts, and his opinions, views far from the mainstream in academia that he felt would normally be opposed. 

This is what the festival is about, hearing the voices of those whom you would normally never hear. The marginalised, the silenced, the dissenters. I was more than pleased to witness this talk, I was honoured, and I hope Dr. Paraskos returns next year.

 

Ciaran Lovejoy

Frank talk from a rising star

Imagine seeing a dinosaur pushing a milk float up a busy high street in Cardiff!

This was one of the many interesting stories Luke Franks shared during his session on Monday, where he also talked about his rise through the ranks of student radio to winning the Sony DAB Radio Rising Star Award in 2012.

Studying for his Psychology degree didn't turn out how he thought but said, "Finding radio was worth the whole university stuff." and gave him the insight and skills to progress to where he is now, a children's TV presenter, YouTube star and radio DJ.

Being fun, thinking on your feet and being original are some of the qualities Luke said will make future presenters stand out.


This was a great start to an interesting week, there is still time to book onto one of the many sessions still to come.

 Kizzy Bass

Sitting in with Luke Franks

Wearing ripped jeans and a trendy snap-back, you would think that Luke Franks was just another University student here at De Montfort, when in truth he is far from it. Ladies and gentleman, prepare yourselves for Luke Franks, radio, TV and online presenter!

A down-to-earth, charismatic and passionate being, Luke Franks is  not only friendly and charming, but also provides invaluale knowledge and advice to those who wish to enter the field of presenting and media. With his invaluable insight and friendly nature, you also come to learn this: Luke Franks is in this business because, quite frankly, he loves it.

The interview process, which took only one short hour, was enjoyable and engaging - Luke Franks is friendly, but also really funny as well, and had so much to tell in such a short space of time. He shared his experiences with us, from starting out as a student radio presenter at Cardiff University where he realised his true passion, to presenting on Fun Kids Radio as well as online for the X-Factor.

Luke Franks made sure to give insights into the amusing side to his job; in University, he hired out a dinosaur mascot and crashed flat parties, all to promote the University Radio. And for Kids radio he even interviewed Kermit the Frog.

Aside from the fun and creative aspect of his passion though, Luke Franks also shared his serious side and gave us this great advice to take away: if this is your passion, don't stop doing it, even if it is competitive. Volunteer, do free gigs and take what you can, research your audience, and remember: just have fun and love what you do.

Kelly-Mae Matt

Engels today

Today I attended the screening of The Condition of the Working Class and I thoroughly enjoyed it. I find it admirable that the directors and actors used a book written by Engels in the 1800s and related the theories to contemporary society. Some of the points from that book are still very relevant in modern times.

In this production, the experiences of working class people are shared. This is quite rare which implies that there are still some issues in society that are ignored.

Some of the actors spoke about accents and how this can be a barrier, especially for aspiring actors. As a man with quite a strong northern accent, I can definitely relate to that particular problem.

The Q&A session held at the end of the screening gave guests the opportunity to ask the directors questions about the production. This was a useful way to consolidate the knowledge gained from the film.

I would thoroughly recommend watching this film as it is both enjoyable and educational.

Harry Singh Panesar

Breakfast-food for thought

Decisions, decisions. Cultural Exchanges is just around the corner and, with so many great sessions available, my only issue will be fitting them in around the school run.

As a blogger I was excited to see that Seb Emina would be attending this years event. Seb made the transition from food blogger at The London Review of Breakfasts to published author with The Breakfast Bible, short listed for Food Book of the Year.

Many bloggers (me included) would love to publish a book based on their blog so I hope to grab some tips from Seb.

This event, along with many more during the week is free but you need to book. 

 

I hope this gives you food for thought and leaves you hungry to learn more.

Kizzy Bass

Residence in prison

The Cultural Exchanges Festival comes to Leicester this week. A particular event worth noting is Arts in Prisons: A Writer-in-Residence.

I’m really looking forward to hearing from Alistair Fruish who’s worked as a writer-in-residence in a number of prisons and co-produced work with inmates. 

It will be interesting to hear first-hand information of what a writer-in-residence does and how it benefits inmates. The event is free so it's definitely worth a visit!

Find tickets here, or have a look at Fruish’s website for more information on his work.

Alexandra Kilcran

That's what they said

Sexism in Britain today will be under discussion in De Montfort University's Trinity House next Thursday. The event is called 'That's  What They Said' and one of the guests will be Laura Bates of the Everyday Sexism Project.

As a modern woman I've heard some interesting reactions to the word ‘feminism’ - it's a delicate subject today. Recent debates and social media trends have shown a range of opinions (and some extreme views) on the topic of feminism.

It will be interesting to hear a variety of women speaking about their personal experiences of sexism. I hope the event will also offer some modern male perspectives. 

Annie Ford

How to be a millionaire (or at least gain useful advice)

My eyes suddenly brightened when I saw this in the Cultural Exchanges brochure:

"CREATIVE LEICESTERSHIRE IN A DAY ... one to one business advice ... professional development ... workshops and marketing and selling your work ..."

Marketing? Selling my work? One to one business advice?

OK. I might not walk out of the workshop a millionaire (though it would be a huge bonus) but at least I can learn why people aren't buying my books and perhaps rectify the situation.  From where I am now that looks like progress.

The best part, I am paying zilch. Nada. Nothing. To gain this valuable advice. Something that as a student is a massive bonus. 

So I will let you know Thursday night if I am a millionaire. If you also want to learn how to be a millionaire you can book to attend this event by clicking here. 

Kelly Davies