Reviews and comment from the Demon Crew - creative writers at De Montfort University, Leicester.

Showing posts with label Hannah Maggs. Show all posts
Showing posts with label Hannah Maggs. Show all posts

Tuesday, 5 March 2013

I overheard a rumour about free wine

The final event I attended was the East Midlands launch of Overheard: Stories to Read Aloud and despite what you may suspect, I didn’t go just for the free wine. 

(Although that was a fantastic bonus! I advise the powers that be to supply free wine at all future events. Maybe some whiskey too...) 

I may have digressed...

The book was edited by DMU Creative Writing tutor, Jonathan Taylor, and contributed to by our other tutors Kathleen Bell, Will Buckingham and Simon Perril, among many others. Although I was sure the other writers would be excellent, I was most interested to hear my tutors’ work. Of course, it did not disappoint.

The idea of stories written for the purpose of being read aloud took me back to telling ghost stories, by torchlight, as a child and ‘story time’ in primary school, gathered in front of the teacher. It reminded me of what first excited me about stories - the facial expressions for emphasis; the whispers and the shouts; the pauses that feel eternal and the look of intrigue in the listeners' eyes. That strength of suspense, humour and involvement can’t be matched when I read text from a page.

The writers brought their stories to life and it was easy to see that the audience was hanging on their every word as the wine stood, neglected, at the back of the room.

If you missed the event, don’t miss the book!


Hannah Maggs

Inspiration comes with free juice

When I tell people my degree is in Creative Writing I can tell from their expressions (and words) that they imagine us all sitting around on beanbags, flowers in our hair, talking about how totally deep our poems are, man. They have no idea how much craft, research and painstaking editing goes into the work we do. 

How I wish I could have taken all of these doubters to see the work of third year and postgraduate Creative Writing students at today’s Demon Crew event and the Postgraduate Creative Writing Showcase earlier this week. 

The talent I saw made me more proud of my degree than ever. Seeing where I could be in a few short years was as inspiring as it was daunting.

The postgraduate work was of an insanely high standard, my favourite piece was a hilarious, enthusiastically-read extract from story that reminded me a little of Hunter S Thompson’s work. There was also funny and thought-provoking poetry at a standard I'm certain I could never reach. 

The Demon Crew event was a presentation of third year publications – small books, websites, vlogs and audio drama were among the creative ideas showcased. Many of which got a lot of laughs. (There was also free juice and crisps!)

These events have inspired me to push myself so much harder in the hopes that soon I will be up there reading out my work for some poor first year to write an inadequate blog about.


Hannah Maggs

Are women animals?

Thursday saw Joanna Bourke give an insightful talk about the historical relationships between human and animal rights based around her latest book, What it Means to be Human.

She began by reading from a letter to The Times newspaper written by ‘An Earnest Englishwoman.’ This 1872 letter asked the surprising question, "Are Women Animals?" The author acknowledged that women were unlikely to be granted equal rights to men so suggested instead that women's right to live without undue suffering might be advanced if, in henceforward, all laws against the mistreatment of animals were understood to include women in their scope.

It's hard to to believe now, but it was once generally held that 'lesser beings' - a category which could include working-class people, most foreigners, women and children - could not feel or suffer in the same way as white men. In addition, there was a strong belief that a man should have the right to do as he wished in his own home - and that the law should not normally intrude on his treatment of members of his household.

Interestingly, in 1884 children gained the protection women asked for but a man’s wife still had fewer rights than his pig. Joanna also informed us that animals were only protected against cruelty to safeguard humans, as law-makers feared that callousness to animals would seep into their other interactions. Abuse against women and children, however, was not of much concern.

Fortunately, the Earnest Englishwoman’s letter contributed to the humanisation of women and, eventually, the rights we have today.

Joanna looked at many theories of the time and gave concise, researched analysis. She went on to question religious ideas about humans and animals as well as philosophical notions such as how we and other animals are ranked in the universe.

Joanna’s talk was intensely interesting throughout while still remaining accessible to someone who knows little of her field. My only complaint is how quickly the hour seemed to pass!



Hannah Maggs

No bull on his tongue

By Wednesday evening I knew that the absolute highlight of my week so far was Alan Garner’s talk. His incredibly intricate, brilliantly written stories completely absorbed me, despite my usual reluctance to read fantasy novels.

I was hoping for an insight into how he creates these vivid worlds and weaves his deeply-layered, often chilling stories. What I got was so much more.

Garner speaks with a distinguished eloquence and a great deal of wisdom. He initially spoke of language history and his background as an athlete, an actor and an academic. By the time he began talking about his methods of writing I was absolutely enthralled, feverishly making notes for fear of losing a shard of wisdom.

For Alan, writers’ block is merely impatience.  For him, stories arise from isolated ideas that appear in the mind from nowhere, often several years apart. Sparks then fly and form a book in the unconscious mind until there is a “moment of particularly sharp vision” and a sense that the book has always existed. It is then a task of “excavation” rather than creation for which he switches his brain off so it doesn’t “get in the way”. For Alan, “Creativity is not a job, it is a pathological state”.

He was also kind enough to sign books for eager fans after the talk, during which time he was funny, approachable and without airs and graces despite his impressive career. 



I may not be a fantasy fan but I am now, without question, an Alan Garner fan.


Hannah Maggs

Thursday, 28 February 2013

Jokes with Jasper

Jasper Carrott is one of Britain’s most established stand-up comedians and has five gold albums under his belt so it was no surprise that this was an incredibly entertaining event.

During his one-hour conversation with Geoff Rowe, director of Dave’s Leicester Comedy Festival, he joked about the success of Funky Moped’s B-side; car insurance claim forms and stealing jokes.

I wasn’t aware of quite how much he'd influenced British stand-up. He was at the forefront along with Billy Connolly who used language too offensive for television, giving Jasper the spotlight.

As well as British folk clubs, he circuited well known American comedy clubs such as The Comedy Store alongside such icons as Jay Leno and Richard Pryor. This lead to his ‘big break’ in the states; a recommendation from actor, Robin Williams, to a journalist for the LA times sparked a review which caused tickets to his five shows to sell out in just an hour!

Unfortunately, he feels too old to carry on with stand-up. He worries that there would be no surprise left and he lacks the “enthusiasm, vibrancy and hunger” necessary. He did go on to detail some ideas for an interesting new outlook on comedy he hadn’t quite figured out, perhaps hoping an up-and-coming comedian could make it work. The unassuming Brummie did say, however, that he’d be honoured if his material was recycled by a ‘counterfeit Carrott’ - but he'd definitely show up and heckle. 

 
Hannah Maggs

Monday with Manda

For me, Cultural Exchanges kicked off on Monday when Gary Day interviewed historical writer, spiritualist and former animal anaesthetist, Manda Scott. I was particularly interested in hearing about her research methods as I'd recently written a historically-based short story for an assignment. 

Interestingly, she began writing her famous Boudica series, knowing nothing of Boudica but her name which she spelt wrongly! This was the result of a ‘vision quest’ undertaken when she felt the balance between her spirituality and her scientific mind was uneven and that she had lost her sense of self.

As I'm a sceptic of all things spiritual, I was initially put off by her talk of Shamanism and spirit guides, but her endearing personality and enthusiasm for what she does completely won me over. Scott also has a delightfully rebellious streak which shone through. She couldn't hold back a cheeky grin when admitting that she announced her change from crime to historical fiction in front of her former publisher “to piss her off”. 

This isn’t to say that it’s all fun and games in the life of Manda Scott. She spoke of the hours spent following obscure research trails: learning battle techniques; a night spent in a roundhouse; and learning to make a sword. She then explained the ‘iceberg principal’ that the reader never sees or should see the depths of research undertaken, and I think that's the main point I took away.

All in all, an informative and fun event.


-      Hannah Maggs

Friday, 22 February 2013

Anticipating Alan Garner

Like many, I was intrigued by the phrase "rare public appearance" in the information about Alan Garner, despite being previously unaware of his work.

I've never been a fan of fantasy novels but, after booking, I promptly purchased two of his books: The Owl Service and Red Shift. When they arrived, going against all I've been told, I chose to read the book with the most intriguing cover first: The Owl Service. Since the genre does not usually appeal to me I paid particular attention to the style of language, the techniques used and the effects these create. I have, however, been surprised at how absorbing the story is. Garner writes with incredibly strong imagery; the characters are deep and unclichéd and the plot is full of mystery. I'm now excited and curious to hear what the man behind this involving, well-written story line has to say. 

While the book has been very enjoyable, I haven't been converted to a fully-fledged fantasy fan just yet. Perhaps Red Shift will change my mind later this evening.  
 
 
Hannah Maggs